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The betrothed Princess, the ambassadors who had come to be present at the marriage, began to pull long faces. One of the most important of the guests turned to the King, and said, "Sire, can you think of breaking so solemn an engagement, on the word of a toad like that? This scum of the marshes has the insolence to come and tell lies before the whole Court, for the pleasure of being heard!" "Know, your Excellency," replied the Frog, "that I am no scum of the marshes, and since I am forced to exhibit my powers: Come forth, fairies all!" And thereupon all the frogs, rats, snails, lizards, with the frog at their head, suddenly appeared; not, however, in the usual form of these reptiles, but with tall, majestic figures, pleasing countenances, and eyes more brilliant than stars; each wore a jewelled crown on his head, and over his shoulders a regal mantle of velvet, lined with ermine, with a long train which was borne by dwarfs. At the same time was heard the sound of trumpets, kettle-drums, hautboys, and drums, filling the air with melodious and warlike music, and all the fairies began to dance a ballet, their every step so light, that the slightest spring lifted them to the vaulted ceiling of the room. The King and his future Queen, surprised as they were at this, were no less astonished, when they saw all these fairy ballet dancers suddenly change into flowers, jasmine, jonquils, violets, pinks, and tube roses, which still continued to dance as if they had legs and feet. It was like a living flower-bed, of which every movement delighted both the eye and the sense of smell. Another moment, and the flowers had disappeared; in their place several fountains threw their waters into the air and fell into an artificial lake at the foot of the castle walls; this was covered with little painted and gilded boats, so pretty and dainty that the Princess invited the ambassadors to go for a trip on the water. They were all pleased to do so, thinking it was all a merry pastime, which would end happily in the marriage festivities. But they had no sooner embarked, than the boats, water, and fountains disappeared, and the frogs were frogs again. The King asked what had become of the Princess; the Frog replied, "Sire, no queen is yours, but your wife; were I less attached to her than I am, I should not interfere; but she is so deserving, and your daughter Moufette is so charming that you ought not to delay a moment in going to their deliverance." "I assure you, Madam Frog," said the King, "that if I did not believe my wife to be dead, there is nothing in the world I would not do to see her again." "After the wonders I have shown you," she replied, "it seems to me that you ought to be more convinced of the truth of what I have told you. Leave your kingdom in charge of trustworthy men, and start without delay. Here is a ring which will furnish you with the means of seeing the Queen, and of speaking with the Fairy Lioness, although she is the most terrible creature in the world." dear lottery lucky number, CHAPTER III

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Enjoy voice and video dear lottery lucky number Emilia, the elder, inherited much of her mother's disposition. She had a mild and sweet temper, united with a clear and comprehensive mind. Her younger sister, Julia, was of a more lively cast. An extreme sensibility subjected her to frequent uneasiness; her temper was warm, but generous; she was quickly irritated, and quickly appeased; and to a reproof, however gentle, she would often weep, but was never sullen. Her imagination was ardent, and her mind early exhibited symptoms of genius. It was the particular care of Madame de Menon to counteract those traits in the disposition of her young pupils, which appeared inimical to their future happiness; and for this task she had abilities which entitled her to hope for success. A series of early misfortunes had entendered her heart, without weakening the powers of her understanding. In retirement she had acquired tranquillity, and had almost lost the consciousness of those sorrows which yet threw a soft and not unpleasing shade over her character. She loved her young charge with maternal fondness, and their gradual improvement and respectful tenderness repaid all her anxiety. Madame excelled in music and drawing. She had often forgot her sorrows in these amusements, when her mind was too much occupied to derive consolation from books, and she was assiduous to impart to Emilia and Julia a power so valuable as that of beguiling the sense of affliction. Emilia's taste led her to drawing, and she soon made rapid advances in that art. Julia was uncommonly susceptible of the charms of harmony. She had feelings which trembled in unison to all its various and enchanting powers..
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